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The Artist as Curator.

By: Material type: TextTextPublisher: Bristol : Intellect Books Ltd, 2015Copyright date: �2015Edition: 1st edDescription: 1 online resource (214 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781783203383
Subject(s): Genre/Form: Additional physical formats: Print version:: The Artist as CuratorDDC classification:
  • 069.068
LOC classification:
  • AM121
  • N420
Online resources:
Contents:
Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things -- Opening: The Limits of Objectivity -- Commission: Metaphors and Objections -- Technologies and Time: Exhibition/Catalogue -- Obsessions: Heads and Images -- Irony, Authenticity and the Stereotype -- Memento Mori: Surrealism and Death -- An Anthropological Imagination -- A Social Critique of Waste -- Images of Conflict and Combat -- A Cosmic Philosophy: Blueprints for a New Museum -- Acknowledgement -- References -- Note -- Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' Series -- References -- Note -- Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi -- References -- Notes -- Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects -- References -- Chapter 5: Erasure: Curator as Artist -- References -- Notes -- Chapter 6: Say My Name -- Notes -- Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces -- The Curator -- The Archive -- Performance -- Seven Easy Pieces -- References -- Notes -- Chapter 8: Curating the City: Collectioneering and the Affects of Display -- Tempting Provenance -- Material Constellations -- Rhetorics of Display -- A Post-Medium Wunderkammer -- Typologies of Heterogeneity -- References -- Notes -- Chapter 9: Artists Curating the Expedition -- References -- Notes -- Contributors -- Index -- BackCover.
Summary: In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.
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Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things -- Opening: The Limits of Objectivity -- Commission: Metaphors and Objections -- Technologies and Time: Exhibition/Catalogue -- Obsessions: Heads and Images -- Irony, Authenticity and the Stereotype -- Memento Mori: Surrealism and Death -- An Anthropological Imagination -- A Social Critique of Waste -- Images of Conflict and Combat -- A Cosmic Philosophy: Blueprints for a New Museum -- Acknowledgement -- References -- Note -- Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' Series -- References -- Note -- Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi -- References -- Notes -- Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects -- References -- Chapter 5: Erasure: Curator as Artist -- References -- Notes -- Chapter 6: Say My Name -- Notes -- Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces -- The Curator -- The Archive -- Performance -- Seven Easy Pieces -- References -- Notes -- Chapter 8: Curating the City: Collectioneering and the Affects of Display -- Tempting Provenance -- Material Constellations -- Rhetorics of Display -- A Post-Medium Wunderkammer -- Typologies of Heterogeneity -- References -- Notes -- Chapter 9: Artists Curating the Expedition -- References -- Notes -- Contributors -- Index -- BackCover.

In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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