000			03069nam a2200433 i 4500
001			EBC3239939
003			MiAaPQ
006			m o d |
007			cr cnu||||||||
008			141022s2015 nyua ob 001 0 eng|d
020			_z9780823262465 (hardback)
020			_z9780823262472 (paper)
035			_a(MiAaPQ)EBC3239939
035			_a(Au-PeEL)EBL3239939
035			_a(CaPaEBR)ebr10962383
035			_a(CaONFJC)MIL671346
035			_a(OCoLC)923764513
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPN1035 _b.F73 2015
082	0		_a808.1 _223
100	1		_aFrank, Adam, _d1967- _eauthor.
245	1	0	_aTransferential Poetics, from Poe to Warhol / _cAdam Frank.
264		1	_aNew York : _bFordham University Press, _c2015.
300			_a1 online resource (200 pages) : _billustrations
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: -- Acknowledgements -- Introduction: Affect in the Scene of Writing -- Chapter 1 Thinking Confusion: On the Compositional Aspect of Affect -- Chapter 2 Expression and Theatricality, or Medium Poe -- Chapter 3 Maisie's Spasms: Transferential Poetics in Henry James and Wilfred Bion -- Chapter 4 Loose Coordinations: Theater and Thinking in Gertrude Stein -- Chapter 5 Vis-�a-vis Television: Andy Warhol's Therapeutics -- Out and Across -- Notes -- Bibliography -- Index.
520			_a"Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience their transferential poetics. The book's historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction"-- _cProvided by publisher.
588			_aDescription based on print version record.
590			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aPoetics _xHistory.
650		0	_aSemiotics.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aFrank, Adam. _tTransferential Poetics, from Poe to Warhol. _dNew York : Fordham University Press, 2015 _z9780823262465 _w(DLC)10962383
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/nird-ebooks/detail.action?docID=3239939 _zClick to View
999			_c19182 _d19182